IMAGING TIME: UNDERSTANDING PHOTOGRAPHY AS TIME-BASED MEDIA
Feb
23
12:00 PM12:00

IMAGING TIME: UNDERSTANDING PHOTOGRAPHY AS TIME-BASED MEDIA

Imaging Time: Understanding Photography as Time-based Media Discussion launches the 2019 Strangelove festival. This event is brought to you by Strangelove and The Photographers’ Gallery, London.

The panel features Phoebe Boswell, Lucy Reynolds, Erica Scourti and Catherine Yass aims to explore the various relationships that photography has with, makes use of, and represents time.

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Every Second Counts
Feb
23
3:30 PM15:30

Every Second Counts

Strangelove Festival 2019 invited artists to submit 30 second films, responding to the festival's theme of duration - reflecting our fast-paced consumer culture of digital media. Thirty seconds is: how long most adverts last, how long most people look at an artwork in a gallery, 12 breathes and an 0.008th of an hour.

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Between The Devil And The Deep Blue Sea
Mar
2
10:00 AM10:00

Between The Devil And The Deep Blue Sea

In response to Paterson’s materialist re-enchantment of the scientific, this piece explores the pressing contemporary context in which the artist thinks through, and with, nature. This headphone work attempts a parallel of Patterson’s transformational method. Here rather than a sublime rendering of the physical world, a political viewpoint is theatricalised. In so doing, that which has been presented as fact moves into the context of the dramatic and by inference the fictitious.

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Repose by Reece Thomas
Mar
2
10:00 AM10:00

Repose by Reece Thomas

Solitude drenched in melancholy. Repose harks back to early childhood fears, instilled and developed through adolescence, manifesting in adult anxiety. Synthesised rhythmic loops are reminiscent of the artist’s memories of a looming clock tower which once stood over him in a seaside town he called his childhood home. Repose is a desperate search for meaning and understanding in a world that offers none. It is a despairing search for solace, and a journey of discovery - inviting the listener to take time in this moment, to be, to reflect and let go.

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Every Second Counts
Mar
2
10:00 AM10:00

Every Second Counts

Strangelove Festival 2019 invited artists to submit 30 second films, responding to the festival's theme of duration - reflecting our fast-paced consumer culture of digital media. Thirty seconds is: how long most adverts last, how long most people look at an artwork in a gallery, 12 breathes and an 0.008th of an hour.

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Short & Drawn Out: collaborative augmented reality drawing
Mar
2
12:00 PM12:00

Short & Drawn Out: collaborative augmented reality drawing

Fill the gallery with 3D drawings you can only see through your phone.  Join a workshop, draw, then make tiny videos to show your creations. We'll share the best on social media to tell the story of the Strangelove day.

You'll need a compatible phone and Just a Line https://justaline.withgoogle.com app.

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Queertopia curated for Daata Editions by Gemma Rolls-Bentley
Mar
2
1:30 PM13:30

Queertopia curated for Daata Editions by Gemma Rolls-Bentley

Queertopia curated for Daata Editions by Gemma Rolls-Bentley, features artists: Holly Blakey, Rindon Johnson, Zoe Marden, Rashaad Newsome, Hannah Quinlan & Rosie Hastings, Jacolby Satterwhite and Puck Verkade.’ The artists included in Queertopia straddle London and New York, two cities at a pivotal moment in their queer history.

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Every Second Counts
Mar
14
7:00 PM19:00

Every Second Counts

Strangelove Festival 2019 invited artists to submit 30 second films, responding to the festival's theme of duration - reflecting our fast-paced consumer culture of digital media. Thirty seconds is: how long most adverts last, how long most people look at an artwork in a gallery, 12 breathes and an 0.008th of an hour.

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Director's Cut
Mar
20
11:00 AM11:00

Director's Cut

Screening curated by Strangelove director, Terry Smith. Artists screening include:

Phoebe Boswell   Prologue: The Lizard of Unmarriedness   11 min

Andrew Kötting   THEIR RANCID WORDS STAGNATE OUR PONDS  8 mins

Erica Scourti       Dark Archives Luck 11 mins

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Participant Voices in Community Art Talk by Emily Peasgood
Mar
20
3:00 PM15:00

Participant Voices in Community Art Talk by Emily Peasgood

Composer and sound artist Emily Peasgood discusses participant voices in community art with reference to VOICE100, a project she created in 2018 that includes the speaking voices of 100 men, women and children augmented into a contemporary beat poem. VOICE100 is a contemporary electronic surround sound work about how women are perceived 100 years since they started to receive the right to vote. 

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Dunkerque Screening
Mar
21
11:00 AM11:00

Dunkerque Screening

In partnership with La Plate-Forme, Dunkirk's contemporary art laboratory, Strangelove held an open call for international performers with an important link over the duration, the time given to the action to have their work was screened in Dunkirk in November 2018.

As part of the 3 week programme at La Platform Strangelove presented 2 contemporary performances by Folkestone based Artists Bean and Local Foreigner.

The selected artists work will be  exhibited in this year festival at UCA Project Space Brewery Tap for those who didn’t manage to get across the channel in November!

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Mic Drop by Keith Piper
Mar
21
11:00 AM11:00

Mic Drop by Keith Piper

What the work ‘Mic Drop’ attempts to explore is not just the theatrics and implications of the April 2016 Obama mic-drop moment, but the potential empowerment of human linguistic ‘labour’ through its relationship with the microphone as a ‘tele’ enabling device. It is a device that endows the power to ‘voice’ over distance through a sequence of encoding/ transmission/ decoding protocols. I would argue that this enabling technology has been of particular significance to diasporic or scattered peoples in its ability to reconnect severed linguistic connections and to rearticulate disconnected knowledge systems across geographic space (in itself a decolonizing act).

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Why short documentaries are booming with James Collie
Mar
21
3:00 PM15:00

Why short documentaries are booming with James Collie

Some of most creative documentary films are often under ten minutes long and over the last couple of years there has been an explosion of high quality films that were usually only available at film festivals and a brief life on iTunes. These films deserve more love and attention rather than just being seen as a training ground for feature documentaries.

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The Art of Film. In conversation with Peter Blach
Mar
21
5:00 PM17:00

The Art of Film. In conversation with Peter Blach

Peter grew up in Denmark and came to the UK in his early twenties to work in the TV industry. He trained in post-production and later progressed into production, working on ‘DANCER IN THE DARK’ by Lars von Trier, and reality shows for TV. In 2000 he started producing content for pioneering internet companies and later founded Klip Films, a production company to serve the corporate, arts and public sector.

Throughout his career he has written, directed and produced many short films of which some have screened at international film festivals. Two of his short films was nominated for the TIME OUT AWARD: ‘MEAT’ in 2007, and ‘THE PREACHER’ in 2008. In 2016 he shot his first feature film ‘SEAGULL’. 

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Works by Matt Calderwood
Mar
22
11:00 AM11:00

Works by Matt Calderwood

Still from Suspension,2009

Still from Suspension,2009

Matt Calderwood was born in Northern Ireland (1975) and now lives and works in London and County Antrim. He received a BA(Hons) in Fine Art at Sunderland University, (UK) 1997

Calderwood has exhibited widely in the UK and internationally, recent solo exhibitions include; Matt Calderwood, HS projects, Howick Place, London (UK) 2017-18; More or Less There, 1961 Projects, (SG) 2017, White Noise, Farbvision, Berlin (DE) 2016; Exposure, De La Warr Pavillion, Bexhill on Sea, (UK) 2014; Paper Over The Cracks, BALTIC 39, Newcastle upon Tyne, (UK) 2013; Matt Calderwood, Dynamo Arts Association, Vancouver, (CA) 2012.

Group exhibitions include; Generation Loss, Julia Stoschek Collection, Dusseldorf, (DE) 2017-18; Idea Home, MIMA, Middlesbrough, (UK) 2017; Precarious Balance, CoCA (Centre Of Contemporary Art), Christchurch, (NZ) 2016; More Konzeption Conception Now, Museum Morsbroich, Leverkusen, (DE) 2015; Art Foundation Mallorca Collection – Special Edition, CCA Andratx, Mallorca (ES) 2012; Dublin Contemporary, Earlsfort Terrace, Dublin, (IE) 2011; Rogalski, Sammlung Haubrok, Berlin, (DE) 2010; I Want to See How You See, Deichtorhallen, Hamburg, Germany(2010); Quiet Revolution (Hayward Touring Exhibition), Milton Keynes Gallery, Milton Keynes, (UK) 2009; Material Intelligence, Kettle’s Yard, Cambridge, (UK) 2009.

Collections include; Julia Stoschek Collection (DE), Auckland Art Gallery, (NZ), Zabludovicz Collection, (UK) Dublin City Gallery, The Hugh Lane, (IE) Southampton City Art Gallery (UK) CCA Andratx, Mallorca (ES) Haubrok Collection, (DE) IKEA Museum, Älmhult (SE), Ekard Collection, (NL) West Collection (USA)

Matt Calderwood is represented by Anthony Wilkinson, London.

Strangelove will be screening Suspension, Tape, Six Sculptures and Gloss at Hop Projects CT20

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Past, Present, Future. What is Time-based Media?
Mar
22
1:00 PM13:00

Past, Present, Future. What is Time-based Media?

The afternoon will begin with a rough history of video art by artist and writer Chris Meigh-Andrews who also will chair the programme, followed by presentations by Larry Achiampong, Jane England, Keith Piper and Lois Keidan. The invited speakers will each present their own personal ideas and approaches to issues that are relevant to their practice and show visual examples of their work. This will be followed by an opportunity for further discussion about past, present and future of time-based media.

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The Logic of the Birds by Sarah Beddington
Mar
22
3:00 PM15:00

The Logic of the Birds by Sarah Beddington

The Logic of the Birds was inspired by early 20th century photographs of Palestinian processions, showing people moving freely across the land, as well as by a 12th century Sufi poem about a group of birds who go in search of a leader only to realise, after crossing a landscape full of hardships, that collectively they are the leader they were searching for. The project began as a public processional performance with costumed actors in a remote valley close to the Jordan Valley – an area that is on a major trajectory for bird migration as well as being a route inscribed by infinite journeys of pilgrimage, exile and return. By working with a mythological story in the reality of occupied Palestine, the artist hoped to offer one of many possible scenarios in this controlled landscape that might open up a space for a potential future story yet to be created. 

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Wavelength for Those Who Don't Have the Time by Michael Snow
Mar
22
6:00 PM18:00

Wavelength for Those Who Don't Have the Time by Michael Snow

Michael Snow's film "Wavelength" has been acclaimed as a classic of Avant Garde filmmaking since its appearance in 1967. In February 2003, Snow created a new work consisting of simultaneities rather than the sequential progressions of the original work. WVLNT is composed of three unaltered superimpositions of sound and picture.

Wavelength For Those Who Don't Have the Time: Originally 45 minutes, now 15!

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Berlin Horse by Malcolm Le Grice
Mar
22
6:20 PM18:20

Berlin Horse by Malcolm Le Grice

“This film is largely filmed with an exploration of the film medium in certain aspects. It is also concerned with making certain conceptions about time in a more illusory way than I have been inclined to explore in many other of my films. It attempts to deal with some of the paradoxes of the relationships of the "real" time which exists when the film was being shot, with the "real" time which exists when the film is being screened, and how this can be modulated by technical manipulation of the images and sequences.

The film is in two parts joined by a central superimposition of the material from both parts. The first part is made from a small section of film shot by me in 8mm colour, and later refilmed in various ways from the screen in 16mm black and white. The black and white material was then printed in a negative positive superimposition through colour filters creating a continually changing 'solarization' image, which works in its own time abstractly from the image. The second part is made by treating very early black and white newsreel of a similar subject in the same way. As a two screen film the second screen has a black and white version of the whole film.” Words by Malcolm Le Grice

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Secret Strangelove
Mar
23
10:00 AM10:00

Secret Strangelove

The Secret Strangelove audience is invited to the ‘encounter’ through a single sentence description only. The audience can only guess at what they might ‘encounter’ - what will happen remains a secret until they visit the location of the ‘encounter’ where all is revealed. The ‘encounter’ could be defined within performance, poetry, sound and visual-art. SECRET STRANGELOVE highlights public spaces that are overlooked or ignored and celebrates the festival location of Folkestone, enhancing locations with ‘encounters’ that explore time-based arts.

More to be revealed in March…

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Works From Tintype curated by Tony Grisoni
Mar
23
11:00 AM11:00

Works From Tintype curated by Tony Grisoni

Mozzarella in Carrozza, 2018, Oona Grimes

Mozzarella in Carrozza, 2018, Oona Grimes

Works From Tintype curated by Tony Grisoni

OONA GRIMES

mozzarella in carrozza 

2018


JORDAN BASEMAN
E
2015

HELEN BENIGSON
Essex Road Hen Party
2015

SEBASTIEN BUERKNER
Eaves Apart
2015

BENEDICT DREW
Incantation to rid this place of cars, without the help of Elon Musk (Essex road dub)
2017

GEORGE EKSTS
Essex Boulevard
2014

JUDITH GODDARD
Derange X
2017

TONY GRISONI
Bootstrapped
2014

XIAOWEN ZHU
Brief Encounters on the Milky Way
2017

ANDREA LUKA ZIMMERMAN
Lower Street, A Night Journey
2016

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Tony Grisoni in conversation with Jen Thatcher
Mar
23
12:30 PM12:30

Tony Grisoni in conversation with Jen Thatcher

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Tony Grisoni worked in many different areas of film making before turning to screenwriting. QUEEN OF HEARTS, 1989 was his award winning first feature directed by Jon Amiel. He has worked closely with a number of directors including Michael Winterbottom, John Boorman, Sean Durkin and Marc Munden, and has co-written with Terry Gilliam (FEAR & LOATHING IN LAS VEGAS, 1998 TIDELAND, 2005 and that ship of fools - THE MAN WHO KILLED DON QUIXOTE, 2018.)

Jennifer Thatcher is a freelance art critic, lecturer and public programmes curator, based in Folkestone. She is a regular contributor to Art Monthly and ARTnews. She curated the adult public programmes for the last two editions of the Folkestone Triennial, and was previously director of talks at the ICA, London. She is also an AHRC-funded PhD candidate, researching the history of the artist interview. A selection of her interviews was recently published in Art Monthly’s anthology Talking Art 2.

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Vicky Smith (BEEF) in conversation with Cathy Rogers
Mar
23
2:00 PM14:00

Vicky Smith (BEEF) in conversation with Cathy Rogers

BEEF image for screening.jpg

Vicky Smith works with direct-on-film experimental animation to explore the vulnerable and vital body. Her work has screened internationally in galleries and festivals. Recent publications include Experimental & Expanded Animation: Current Perspectives and Practices, co-edited with Nicky Hamlyn.

Bristol Experimental Expanded Film (BEEF) is a film and sound collective supporting experimental practice in Bristol since 2015. BEEF provides an independent platform and much needed resource for artists’ production, distribution and critical engagement, predominantly focusing on experimental and analogue practices. BEEF members collaborate and work together to organise a regular programme of events, screenings, performances, exhibitions, residencies, and film & sound workshops. 

Cathy Rogers is an artist and programmer of Analogue Ensemble a bi-monthly experimental film night in Ramsgate. Cathy works with Super 8 and 16mm film within expanded cinema contexts with a project based MPhil from the Royal College of Art ‘Film Outside Cinema’ exploring Expanded Cinema and Paracinema. Her work has been published in Sequence 2, 2011, London, written about by Nicky Hamlyn in Medium Practices, Public Journal, Issue 44, 2010, Toronto and cited in A.L Rees essay Physical Optics: a return to the repressed, Millennium Film Journal, Fall 2013, New York. 


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'Bodyscapes' Talk by Curator with Jamie Wyld
Mar
23
4:00 PM16:00

'Bodyscapes' Talk by Curator with Jamie Wyld

Bodyscapes is a collection of new films by Japanese artists whose use of the body is central to their work – either as a landscape, a political metaphor or method of expression – the body acts as a vehicle and subject to communicate ideas. This will be screened in The Quarterhouse Auditorium 4-6pm Saturday 23rd March and the curator, Jamie Wyld will be talking about the screening in the Quarterhouse Clearing at 4pm - 5pm.

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Bodyscapes: new film and video from Japan
Mar
23
4:00 PM16:00

Bodyscapes: new film and video from Japan

Bodyscapes is a collection of new films by Japanese artists whose use of the body is central to their work – either as a landscape, a political metaphor or method of expression – the body acts as a vehicle and subject to communicate ideas. In Fuyuhiko Takata’s Little Mermaid inspired Cambrian Explosion, Takata’s character Princess Mermaid attempts to create his own legs by bloodily sawing his own tail in half. Aya Momose attempts to speak and converse with a goat, to share feelings of forgiveness and pain in her film, To Cuddle a Goat, a Poor Grammar Exercise. And in The Educational System of an Empire by Hikaru Fujii, the artist asks a group of young South Korean’s to reenact actions of historical colonial Japan upon the nation of Korea.

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Queertopia curated for Daata Editions by Gemma Rolls-Bentley
Mar
23
to Mar 24

Queertopia curated for Daata Editions by Gemma Rolls-Bentley

  • Quarterhouse Auditorium (map)
  • Google Calendar ICS

Queertopia curated for Daata Editions by Gemma Rolls-Bentley, features artists: Holly Blakey, Rindon Johnson, Zoe Marden, Rashaad Newsome, Hannah Quinlan & Rosie Hastings, Jacolby Satterwhite and Puck Verkade.’ The artists included in Queertopia straddle London and New York, two cities at a pivotal moment in their queer history.

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Secret Strangelove
Mar
24
10:00 AM10:00

Secret Strangelove

The Secret Strangelove audience is invited to the ‘encounter’ through a single sentence description only. The audience can only guess at what they might ‘encounter’ - what will happen remains a secret until they visit the location of the ‘encounter’ where all is revealed. The ‘encounter’ could be defined within performance, poetry, sound and visual-art. SECRET STRANGELOVE highlights public spaces that are overlooked or ignored and celebrates the festival location of Folkestone, enhancing locations with ‘encounters’ that explore time-based arts.

More to be revealed in March…

View Event →
Every Second Counts
Mar
24
11:00 AM11:00

Every Second Counts

Strangelove Festival 2019 invited artists to submit 30 second films, responding to the festival's theme of duration - reflecting our fast-paced consumer culture of digital media. Thirty seconds is: how long most adverts last, how long most people look at an artwork in a gallery, 12 breathes and an 0.008th of an hour.

View Event →
Descent by Catherine Yass
Mar
24
12:00 PM12:00

Descent by Catherine Yass

Saint-2ch.jpeg

Catherine Yass’ work Descent shows a camera being lowered to the ground from a crane over a construction site at Canary Wharf, London, through thick fog.

Catherine Yass is best known for her distinctive photographic and film-based work. Typically she manipulates her subject matter by overlaying the negative and the positive from photographs she has taken and then realises the resultant images as lightboxes, prints and films. In 2017 RIBA held a screening of the artist's film, Aeolian Piano, with the BBC. Recent solo exhibitions include Milton Keynes Gallery (2014); Alison Jacques Gallery, London (2012) a mid-career retrospective at De La Warr Pavilion, Bexhill-on-Sea (2011); The Phillips Collections, Washington D.C. (2011); Stedelijk-Hertogenbosch Museum, The Netherlands (2009) and St Louis Art Museum, Missouri (2009). She was short-listed for the Turner Prize in 2002.

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Works by Katherine Araniello
Mar
24
1:00 PM13:00

Works by Katherine Araniello

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Katherine Araniello is a London-based performance artist, who uses performance, video and subversive humour in response to the mundane, social awkwardness and the negative representation of disability. She twists taboos and the everyday into works which are never quite as they seem and are constantly challenging notions of ability. No-one is exempt and everyone is under scrutiny. Araniello uses improvisation, interaction and the use of technology to create unpredictable scenarios that can range from large scale productions to DIY and workshop activities. She has worked with artists including Teresa Albor, Kim Noble, Ursula Martinez, Daniel Oliver, Aaron Williamson and Marcia Farquhar; and organisations including the Southbank Centre, Battersea Arts Centre, The Yard Theatre, China Plate, Tempting Failure, The Wellcome Trust and Guest Projects. Her recent collaborative work uses fun aesthetics which create quick unplanned performances.

Araniello also works under a number of guises, including as SickBitchCrips(SBC), a persona that allows her to present disability in outrageous and politically incorrect ways, provoking audiences to reassess their own notions of disability in contemporary society. She also works with Aaron Williamson as The Disabled Avant-Garde (DAG), a satirical arts organisation, creating pitch-black and self-knowing performances, videos and interventions.

Her work has been shown internationally at galleries and festivals including; Tate Modern, Tate Britain, The Nunnery, the Canadian Arts and Disability Festival, ICA, Purcell Room at Southbank Centre, Hitparaden - an international festival for performance at the Pumpehuset in Copenhagen and at the Urban Institute for Contemporary Arts (UICA), Michigan.

Katherine Araniello is an Artsadmin Associate Artist and is on the board of the Live Art Development Agency. She holds a First Class Honours Degree in Fine Art from London Guildhall University and a Master’s Degree in Fine Art from Goldsmiths, University of London.

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La Faim (Hunger) by Peter Foldès
Mar
24
2:00 PM14:00

La Faim (Hunger) by Peter Foldès

In this animated short, director Peter Foldès depicts one man’s descent into greed and gluttony. Rapidly dissolving and ever-evolving images create a contrast between abundance and want. One of the first films to use computer animation, this satire serves as a cautionary tale against self-indulgence in a world still plagued by hunger and poverty.

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Mar
24
3:00 PM15:00

Polymer by Astrid Goldsmith

Mock Duck Studios is an stop-motion animation studio, run by independent animator Astrid Goldsmith.
Based in Folkestone in Kent, Mock Duck Studios was set up by animation director Astrid Goldsmith in 2012, after a decade of industry experience as a model maker for film and TV. While making puppets and props for clients including Duracell; Ford Fiesta; Chivas Regal; Leeds Castle; Hammer & Tongs (Hitchhiker’s Guide to the Galaxy); and a weird commission for the boyband Blue, Astrid completed her debut short film Squirrel Island in 2016. Squirrel Island went on to compete at many top international film festivals (including Clermont-Ferrand, Tampere, LSFF, Aesthetica, and Warsaw Film Festival), and won several prizes for Best Film.

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Elegy  by Paul Bush
Mar
24
3:00 PM15:00

Elegy by Paul Bush

elegyweb003.jpg

Stone and light, just stone and light.

‘Elegy is a form of poetry natural to the reflective mind. Sorrow and love became the principal themes of the elegy. Elegy presents everything as lost and gone or absent and future.’ (Samuel Taylor Coleridge). Paul Bush's films challenge the boundaries that separate fiction, documentary and animation. His background in Fine Art is an influence on all his work and this is reflected in its inclusion in art collections and exhibitions as well as cinema distribution and television broadcast. During the 1980's he wrote and directed several short and medium length films that were critically acclaimed but it was not until the 1990's that his films became widely distributed and he was able to concentrate all his attention on film-making. During the 90's his films were commissioned by all the major broadcasters, won numerous awards and were shown in cinemas, exhibitions and television all round the world. During this period he usually used single frame techniques often involving live action elements. In 1999 he was polled in second place in Creation's list of top directors of animation. In 1996 he set up his company Ancient Mariner Productions to produce his own films and he also directs commercials and his clients have included Panasonic and Philips. In 2003 he was awarded a Nesta fellowship to develop feature films. His first feature Babeldom was completed in 2012. Due to the uncertainty of funding in the UK since 2000 he has increasingly relied on teaching to finance his work.

Bush was born in 1956 and studied Fine Art at Central School and Goldsmiths College, London. He taught himself how to make films while a member of the London Film-makers Co-op and Chapter Film Workshop in Cardiff. From 1981 to 1993 he taught film-making, establishing a film workshop in South London and supervising a wide variety of courses and the production of numerous student films. between 1995 and 2001 he taught on the visual arts course at Goldsmiths. He has lectured, run workshops and tutored at numerous art and film courses around the world including the Media Academy of Cologne, National Film Board of Canada, The Netherlands Institute of Animation Films, La Poudrière in France, TAW in Denmark, St Lukas in Brussels, KASK in Ghent, Anadolou University in Turkey, EIC-TV in Cuba, and the Royal College of Arts, Duncan of Jordanstone and the National Film and Television School in Britain. He runs workshops every year at Centro Sperimentale di Cinematografia, Turin, and Lucerne University, and he is currently a visiting lecturer at Harvard.

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Foreign Sleep by Lilian Nejatpour
Mar
24
5:00 PM17:00

Foreign Sleep by Lilian Nejatpour

Foreign Sleep (2019) is a revised iteration of the original Choreophobia performance by artist Lilian Nejatpour. The performance borrows its name from the theory of dancer and choreographer Anthony Shay, who examined the intervening occurrence of colonialism and Western thought on Middle Eastern dance practices. Shay articulates Western involvement in the Middle East as transforming gender and sensuality in non-Western male bodies, arguing that this interference influenced a phobia toward transgressive and fluid forms of gender display.

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